Claudio Di Costanzo was born in Naples 26/10/1951, lives and works in Legnano (MI), via Pastrengo.
The impact of the painting is looking towards the 10 years the works of Raphael, Michelangelo and Leonardo, published an encyclopedia. Even then the little Claudio had decided to become a great painter.
After high school and not having the opportunity to attend the School of Arts, for the hardship that his father’s death causes the family began to attend the prestigious studies and estimated Neapolitan painters like Sylvester Tavoletta that reveals the secrets of landscape painting and prof. Caputo, who introduced him to the representation of figures.
The city of Naples is a mine of tips art is the young Claudio knows to capitalize on everything he sees and masterpieces preserved in museums and art galleries. When he starts to participate in the first exhibition is able to obtain just satisfaction awards from local critics who speak of him as a future promise.
Even during his military service has the way to know its capacity and soon his superiors rely lxesecuzione works which are then exposed in the open spaces of the Tiburtina station in Rome, where military service.
Here he was given the prestigious assignment of lxentrata fresco with a mural of 4x4m, painting “La Breccia di Porta Pia” and several other frescoes.
After army service, reaches the family moved to Milan in the meantime and in this city Di Costanzo is able to enter fully on the art world.
His works are necessary for a vibrant and intense color choice, which stems from a speech that makes lxartista first himself and then moved on things he sees, landscapes are bright and full of dazzling vitality or cold and languid angles s tumultuous metropolis anonymous female figures are delicate advancing briskly, modern creatures or deities who embody hopes confused hopes and promises of a future that is coming, but yesterday, in a thousand rivulets confused, a thousand feelings. They are glimpses of life or explosion of a song that comes from stirring of deep desires, dreams and the atmosphere lived somewhere and who knows when.
And if the look of our painter focuses on building a “Old building of Tropea” and captures the lush vegetation that invests it, and because in his mind that explodes like a good sign that you secure and precise, ready to seize the signs carefully time on the wall or earthen jar near the door. But they are not superfluous details, because nothing in the painting by Claudio Di Costanzo is left to chance or to improvisation, but all concur that his research to complete non-trivial, not like many others. Each work fits well in the quest of a thousand existential questions of life that led him to make a “Passeggiata in Galleria” with those faceless people who walk as a collective ritual dallxapparenza cheerful but cold, cold as he can be large and anonymous metropolis.
Contact me for more informations